On Promotion-
A Club Booker/Publicist/Promoter talks about
promoting
For every musician who
misguidingly thinks that posting on Facebook the day of their gig is promotion-
here are a few tips.
The real trick to promotion,
and I've been Publicist for various events over the years- is a person needs to
be REMINDED SEVEN TIMES for it to stick. Proven statistical fact. So lets’ say
you have a gig in Mid-September. Over the next month, if you and EACH performer
in the band (don’t let the sidemen pull
the old- “It’s his band” bull- they’re part of the team) that night called and
e-mailed ALL their contacts repeatedly and posted 2 or so times a week on their
various websites and social networks that this show is going to be great, it'll
stick in people’s minds. And, of course, promote a NIGHT of music (as there are
other bands on bill) as it'll have added appeal rather than just “come out for
my set.”
Plus every human being
in the word statistically knows an average of 33 people and being you’re involved
in the arts, that # is probably higher. A portion of those friends, family,
co-workers, neighbors, etc. WILL come out when reminded sufficiently.
Playing the artist role,
“My job is just to play,” in this economy when most people don’t come out to
clubs, lands you a one and only night in said venue. Promotion IS part of the
job whether you like it or not. And the old, “Nobody comes out anymore so I don’t
bother publicizing” shtick is admitting defeat in advance and does nobody any
good.
Another trick is fliers.
Every flier given out statistically has a 1-2% success rate. If EACH band member gives out a ton of fliers
(and friends/family of the singers can too), particularly at other gigs where
people enjoyed you, if you’re a quality act who is attentive to your
supporters, you'll draw just from that.
Build your band’s
mailing list- that’s gold. At each gig get e-mails and let your fans know you’re
playing.
Update your websites and
social networks. “No shows are scheduled” when there IS a show scheduled is
lazy and self-defeating. Sorry.
And if the gig is no
cover and/or no minimum hype that as well. Money’s tight and that could be a
selling point.
Easily accessible by
mass transit, etc. is also a selling point worth noting.
In short, promotion is
living and breathing an event 24/7. If the gig does well, you can probably do
something regularly in a venue and build a bigger following. It all builds off
of each other. But the problem with most bands is when it's a low or non-paying
gig, they kind of stroll in the night of because they're "busy," play
in front of a small crowd (or horribly none at all) and it becomes meaningless.
When a band- an entire band doesn’t draw a single human being, it doesn’t
matter how good, very good or great you are. Owners have no desire or need to
have you back. In fact, they can’t afford to have you back. They’ve already
lost money on staffing while you’re there.
But if they promote the
Hell out of it, assuming they’re worth hearing, they will have a larger crowd,
which leads to a buzz, sells CDs and gets more tips, more gigs, and more
networking opportunities, etc. In short it's never a bad thing to play because
you don't know what it'll lead to. But it is a bad thing to play in front of
nobody or just the bar staff.
If a tree falls in the
forest and nobody hears it, did it fall? Well, if you play in front of nobody,
did it really count?
Hope this helps. Pass it
along to an artist who it may do some good for.
--Evan Ginzburg is Associate
Producer of The Wrestler starring Mickey Rourke
Producer of the new film
Theresa Sareo Alive Again www.aliveagainmovie.com
Producer/Director of the
upcoming film The Stage is an Altar
Host of Legends Radio www.legendsradio.net
Booker at Gizzi’s in NYC
www.gizzisnyc.com
He is Publicist for Wrestling Reunion and various other events
He is Publicist for Wrestling Reunion and various other events
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