Monday, December 27, 2010

Major concert prices reduced- a fan's reaction

I’m very pleased that major concerts will reportedly be reducing their prices. Not that I go to all that many of them, but the sheer greed is something that remains appalling.
You almost end up rooting against the success of these shows. For example, a parade of monotonous rappers and Pop mediocrities at a major radio station sponsored Jingle Bell Ball at Madison Square Garden was headlined by Katy Perry and went for $350 orchestra. And there were tons of Yuppie kids sitting right there in their finest designer clothes, as I watched it live and free on Fuse Network. One rapper actually had lyrics stating he “sang” better than Aretha Franklin. A reality check for this kid was probably in order. Anyway, this wasn’t a scene I’d want to support. Bruno Mars was good, though. Kid’s got potential and soul. But worth $350? Not in this lifetime.
Along these lines, I recently went through the ordeal of buying Prince tickets at Madison Square Garden for his upcoming 1/18/11 show.
At first there was an Internet pre-sale. That, of course, involved obscene ticket fees. On a $20 balcony seat you’d have paid about an $11 surcharge per ticket. Percentage wise that’s quite steep for somebody to stuff a couple of tickets in an envelope. As I needed 3 tix for 3 friends we were talking $33 in fees alone.
So my buddy goes down to MSG the next day to save some money and was told tickets still weren’t on sale at the box office.
We were therefore back to square one. With his other MSG shows selling out, and not desiring to travel out to NJ to see his Meadowlands gigs, I was taking a chance on getting shut out of  an event I really wanted to see. But it just burned me to pay those fees, particularly as said friend was standing right there at the box office and denied.
So I made a decision that Saturday morning. I’d be back In NYC that Monday and would take my chances.
Walking down to MSG I assumed the worst, but instead was met with a different scenario. The $20 seats were, in fact, sold out but the $49, $79, $99, and $179 tickets were still available.
$179 to see a concert. Ridiculous. And Maxwell was getting $250 for the very same seats there just a few months earlier. Now Maxwell’s great. But he’s not $250 great. No wonder several of his dates were cancelled and Prince had a quarter of his seats empty at the Meadowlands gig that was reviewed in the NY papers. I happen to love Prince, but greed ISN’T good.
I opted for the $49 ticket but it obviously wasn’t much, if at all, better than the $20 seats that were now gone.
The major concert goer just can’t win these days. One way or another you are going to pay through the nose.
Or sit in “the nosebleeds.”
But hey, it’s Prince.

www.legendsradio.net

Sunday, December 26, 2010

Captain Beefheart and Teena Marie die

It kind of felt like a late night one-two punch.
I was on the Net and suddenly, out of nowhere, read that Teena Marie died and I just wanted it to be one of those damn Internet rumors. But clearly it wasn’t. CNN was as legit a source as it gets. So stunned, I thought back to the many times I saw her live and even met her and it just saddened me. Deeply. “So young” I thought. 54. Today that really is young. And she’s still relevant, still selling records, and was still performing. And now we’d never see her live again.
I surfed the Net reading about her and reactions from her peers and just by sheer accident discovered that Captain Beefheart passed on 12/17. He was like Zappa, only lesser known. But brilliant. And back in my more musically adventurous days when I’d sit with lights out and listen ever so closely to Sun Ra, Art Ensemble of Chicago, Cecil Taylor, Don Pullen, Muhal Richard Abrams, Oliver Lake, Lester Bowie’s various groups, and Ze Records’ cast of eccentrics, Beefheart was right in that brilliant, wild mix of mine. Imagine making your OWN music- not for radio, not for mass consumption, not for teenagers, but YOUR music.
RIP Captain Beefheart and Lady T. Tonight I go to bed with a heavy, heavy heart.
www.legendsradio.net

Sunday, December 19, 2010

Ray Manzarek of The Doors, ROH's Claudio, Lanny The Genius Poffo on Legends Radio

Legends Radio featuring Ray Manzarek of The Doors, ROH’s Claudio Castagnoli plus Lanny “The Genius” Poffo Co-Hosts this week.
Legends Radio, now in its fifth year, just gets bigger and bigger. Last week’s show featured an extensive interview with Ray Manzarek of The Doors talking about the legendary Doors, Jim Morrison, his musical influences, career highlights, Jim’s obscenity case, and much more. We also, as always, feature great indy music with blues great Robert Ross and concert promoter Sandra Rivera. And it wouldn’t be Legends Radio without wrestling content as we feature an interview with one of our favorites in ROH Tag-Team Champion Claudio Castagnoli.
This week’s show (7:30PM EST- 9:30PM) has a very special Co-Host in Lanny “The Genius” Poffo as Dr. Mike Lano takes a rare Wednesday off. Poet Jon Winell meets The Poet Laureate of Professional Wrestling; also on board rapper Lee and more guests TBA.
Recent shows have featured Pat Cooper, 30 Rock’s Judah Friedlander, Jenny McCarthy, Chelsea Lately’s Heather McDonald, Shelly Berman, Sherwood Schwartz, Red Peters, Tony Altas, Jerry Jarett, Zach Gowen and so many others. Check out all our archives at www.legendsradio.net.

Sunday, December 12, 2010

Evan Ginzburg, wrestling and horror stars in new indy drama

PRO WRESTLING AND HORROR STARS IN NEW INDY DRAMA
The Story About Ian is a dramatic short film about a man named Ian (played by 
Matthew Dunehoo) in his quarter-life crisis. We meet Ian when he has to face 
the fact that he hasn't achieved anything and his life is actually meaningless. 
He doesn't like his job working for an over the top photographer named Dean 
Roderick (played by real life photographer Barry Brown). He is suspicious that 
his girlfriend Mia (played by Zofia Nather) is cheating on him. In addition, 
Ian doesn't have a good relationship with his father, Steven (played by radio 
talk show host Evan Ginzburg of Legends Radio, Evan was also the Associate 
Producer on the Mickey Rourke film The Wrestler). It's a story about the escape 
from the restrictions in life.

The film is produced, edited, and directed by Filip K. Kasperaszek. 
Filip, also co wrote the screenplay with Ewen Glass. Solomon Chertok was the 
Associate Producer and Casting Director for the film. Solomon also co-directed 
and co-shot with Barry Brown the Dean Roderick commercial that appears in the 
film. The cinematographer for the film was Ita Zbroniec-Zajt. The film was 
shot on the RED camera. The film was shot on location in Manhattan and Queens. 
Lauren Francesca (famous for her Lady Gaga impersonation on the Barely 
Political website), Hector Bosa (host of the Staten Island Public Access show 
"The Home Invaders Variety Show"), Solomon Chertok, Joe Sevier, Patricio Witis, 
and Mauricio Bustamante have supporting roles in the film. In addition there is 
a number of guest appearances in the film, in the Dean Roderick commercial that 
appears in the film. These guest appearances include singer/songwriter Michele 
Mupo, former female wrestler Dawn Marie, Scream Queens Debbie D and Tina Krause, 
female wrestler and former bodybuilder Melissa Coates, and Gary Scudero (host of 
the Queens Public Access talk show "Talents Unlimited").

The trailer for the film is on this website:
www.vimeo.com/ 17274186

Website for the film: 
www.storyaboutian. com

Photo Stills from the film are seen on this site:
http://fotoman. zenfolio. com/p968926405

To hear updates about the film and for the best in the Arts and pro wrestling 
listen to Evan Ginzburg’s Legends Radio at www.legendsradio. net.
Comic legend Pat Cooper, Sean Waltman and many more on this week's Legends Radio 
at www.legendsradio. net... previous show with 30 Rock's Judah Friedlander now 
posted. Recent guests include Jenny McCarthy, comic legend Shelly Berman, 
Chelsea Lately's Heather McDonald, pro wrestling legends like Tony Atlas, Jerry 
Jarrett & Zach Gowen, indie music acts deserving wider exposure and much more. 
Check out/click on ads to support show. This Wednesday 12/15 at 7:30 PM EST- 
ROH’s Claudio Castagnoli, blues great Robert Ross & TBA.

Saturday, December 11, 2010

Ginzburg's Gab: RIP James Moody

Ginzburg's Gab: RIP James Moody: "My parents were huge music buffs but were bigger concert goers than record buyers. One of the few records my Mom had besides the West Side S..."

RIP James Moody

My parents were huge music buffs but were bigger concert goers than record buyers. One of the few records my Mom had besides the West Side Story and Funny Girl soundtracks was Moody’s Mood For Love. I’m talking the 78. She’d play it to death and knew every word. And she’d sing along with it. It was actually quite joyful in a childhood that wasn’t always such. So as a little kid, to me James Moody was bigger than Ellington, Basie, Sarah, Ella, etc. because- hey- Mom actually bought the record!
So when I got older and started to go to live shows- first with my parents and later on my own (My Dad died when I was 20)- I saw that James Moody was making a return to live gigs under his own name after working in Vegas for quite a while. It was an actual NYC concert- not a club date. And it was packed and electric. THE RETURN OF JAMES MOODY the program proclaimed. It felt like an event and it was. From his powerful and poignant playing to his colorful singing, it was incredibly memorable. It’s among my top 10 greatest live jazz memories for sure.
That night he graciously signed everything in front of him and I still have that program. Later I’d see him perform live again and even had the honor of interviewing him on my radio show.
It’s been a few days now that he’s gone and I still haven’t had the heart to tell my Mom.
For I know what he and that song meant to her- and to me as well.
“James Moody would you come on hit me, you can blow now if you want to, we're through…”
Evan Ginzburg

Wednesday, December 1, 2010

Monday, October 25, 2010

Latest Legends Radio

Sunday October 17 Edition of Evan Ginzburg’s Legends Radio co-hosted by Dr. Mike Lano at www.legendsradio.net  (Archived 24/7) 8:00-10:00PM EST

Shelly Berman- Comic Legend Curb Your Enthusiasm
Bill Grant Former Mr America, Mr, World, (Movies: Pumping Iron, Grunt! The Wrestling Movie)
Sonny Valens Actor/Wrestler  (Movie- Freedom Writers  TV: Lie to Me, The Closer, The Shield)
Blues ace Felix Cabrera
Dr. Valerie Andrews on Church response to domestic violence, sexual assault & childhood abuses 

Wed. October 27 Edition of Evan Ginzburg’s Legends Radio co-hosted by Dr. Mike Lano at www.legendsradio.net  (Archived 24/7) 7:30-9:30PM EST

HWood Legend: Sherwood Schwartz (produced GIlligan's Island, Brady Bunch, etc as show creator/producer/director/writer)
Adult Film Legend Seka
Jeanne Koelshe, the photographer, personal sketcher for the stars from the 40's on
Plus TBA



Sunday, October 24, 2010

Cheech and Chong Concert Review NYC 10/23/10

Concert Review- Cheech and Chong
Beacon Theatre NYC 10/23/10

Cheech and Chong are still smokin’. And they’re still funny as hell.
The two counter culture icons brought their classic bits and memorable songs to the Big Apple last night for a maybe two thirds full house full of appreciative, mostly older fans.
The highlight for yours truly was Cheech Marin’s classic Alice Bowie bit replete with tutu, which was one of the funniest things I’ve ever seen live. Chong’s blind blues player was right behind in the laughs department. And their Mexican American duet was uproarious as well. Also, surprisingly, their straight take on Chong’s R&B classic Does Your Mama Know About Me, which he co-wrote while with Bobby Taylor and the Vancouvers was just beautiful and a really wonderful surprise in the midst of so much slapstick and silliness.
Where things got a bit tedious, however, were the incessant weed jokes. Sure you walk in knowing what to expect as this is a CHEECH AND CHONG show after all, and the Get It Legal tour to boot. But it just kind of felt like overkill after a while. I mean, did we need Chong’s wife doing weed jokes, too? We get it, folks- you’re pro marijuana. And people say and do stupid (and funny) things when they’re high. While Chong’s solo bit about his cat getting wasted was, in fact, hilarious, I would still voice the same criticism of another comedian doing endless airplane or fat jokes. They kind of beat the subject to death. Yes, legalize it, but make more than a dozen marijuana jokes the same night illegal, willya?
Nonetheless, there’s not too many classic comedy duos left out there, so I was really pleased to have finally caught these childhood heroes of mine live. All in all it was a fun and funny night and well worth seeing; straight or high, everybody seemed to walk out smiling. And you can’t put a price on that.

Evan Ginzburg
www.legendsradio.net

Thursday, October 14, 2010

Latest radio with Shane Douglas, Beverly Washburn, Lisa Quinn, Mighty Sam McClain

Wed. October 13 Edition of Evan Ginzburg’s Legends Radio co-hosted by Dr. Mike Lano at www.legendsradio.net  (Archived 24/7) 7:30-9:30PM EST

Pro wrestling great Shane Douglas
Lisa Quinn- life coach and budget/home simplicity expert from ABC's Good Morning America
Beverly Washburn- Hollywood legend- Loretta Young Show, Star Trek, Leave It to Beaver
R&B/Blues legend Mighty Sam McClain  

Sunday October 17 (No show next Wed.) Edition of Evan Ginzburg’s Legends Radio co-hosted by Dr. Mike Lano at www.legendsradio.net  (Archived 24/7) 7:30-9:30PM EST

Superfly Jimmy Snuka
Blues ace Felix Cabrera
Dr. Valerie Andrews on Church response to domestic violence, sexual assault & childhood abuses
Sonny Valens/Actor/Musician/MMA star
& TBA

Wednesday, October 13, 2010

Legends radio with Sika, Sonjay Dutt, Charlie Haas, Queen Majeeda, musician/author Ben Stein

Wed. October 6 Edition of Evan Ginzburg’s Legends Radio co-hosted by Dr. Mike Lano at www.legendsradio.net  (Archived 24/7) 7:30-9:30PM EST

Pro Wrestling legend Sika from the Samoans  
Sonjay Dutt
Charlie Haas
Singer/songwriter/poet Queen Majeeda
Musician/author Ben Stein

Wed. October 13 Edition of Evan Ginzburg’s Legends Radio co-hosted by Dr. Mike Lano at www.legendsradio.net  (Archived 24/7) 7:30-9:30PM EST

Pro wrestling great Shane Douglas
Lisa Quinn- life coach and budget/home simplicity expert from ABC's Good Morning America
Beverly Washburn- Hollywood legend- Loretta Young Show, Star Trek, Leave It to Beaver
R&B/Blues legend Mighty Sam McClain  

Sunday, October 10, 2010

Concert Review: Oh What a Night oldies show

Concert Review: Oh What a Night! 
Saturday, October 9, 2010 
Colden Auditorium, Queens College, NY
The Bobbettes, The Cavaliers, Lenny Coco and the Chimes, The Dimensions, The Dubs, Norman Fox and the Rob Roys, The Jarmels, The Quotations, Shep’s Limelights, The Paragons, Vito Piccone and the Elegants
On this nostalgic evening, entitled Oh What A Night, some dozen classic groups were presented to a wildly appreciative older crowd.
The show opened with fine acapella music followed by a solid teen singer doing a lone number. Then things heated up as one legendary act after another took to the stage in the classy Queens College hall which was about three quarters full. Each featured act was relegated to about fifteen minutes which didn’t leave much room for chatting or even introducing all the singers. Nonetheless, there were some great moments.
For yours truly, The Dubs stole the show with Could This Be Magic, Don't Ask Me To Be Lonely and Chapel of Dreams. What they do vocally is practically a lost art- just pure harmonies that are so beautiful they sent chills down my spine.
The Bobbettes were the only girl group on the show and had a gospel tinge to their thoroughly entertaining and upbeat set. Their immortal hit, Mr. Lee, of course is a show-stopper, and actually quite wild in its own way as they happily sing about killing their unfaithful lover.
Early R&B was also represented by the excellent Paragons as well as The Jarmels with A Little Bit of Soap, and also the legendary Shep’s Limelights whose Daddy’s Home still sounds fresh and remains timeless.
In the most emotional moment on the show, The Cavaliers spoke about their famed hit Last Kiss where the girl in the song dies after a car accident. The lead singer told of his own wife dying in his arms some three years back and how difficult at first it was to do the song as the lyrics now struck home. Nonetheless, he pulled it off to a rousing ovation.
Simply put, there wasn’t a clunker on the entire show. As a Wizard of Oz purist, I may not be wild about The Dimensions’ take on Over The Rainbow, but vocally they’ve still got it. Also of note, The Quotations did their hit Imagination, the Rob Roys exhibited great showmanship and energy (remember some of these folk had hits over 50 years ago!), Lenny Coco and the Chimes never fail to entertain, and Vito Piccone proved to be a fun and humorous host for the evening. However his headline set of three songs did indeed feel rushed. Three song sets can be a tease, particularly when some of the groups like this one are just too good to be scooted off, and clearly didn’t want to leave.
With a quality house band backing most of the acts, it was three plus mostly magical hours. Old folk swooned as it was once again “the good old days.” And you can’t knock that. Besides, nobody gets rich on Doo-Wop shows with a whole lot of people getting paid. So bravo to all concerned tonight for keeping this worthy music alive.

--Evan Ginzburg
www.legendsradio.net



Sunday, October 3, 2010

Theatre Review- Ned Massey's Bloodties

THEATRE REVIEW
NED MASSEY’S BLOODTIES
NEW YORK MUSICAL THEATRE FESTIVAL 2010
TBG THEATRE

Ned Massey is the musical genius you’ve probably never heard of.
An abused child, Massey, who plays himself in this stunning production, vows to make it as a singer-songwriter. He even gets a message from God to go meet legendary producer John Hammond, Sr. who discovered Billie Holliday, Basie, Dylan and Springsteen among countless others. Working as a New York waiter, Ned serves a Hammond employee, and soon finds himself auditioning for and signed by the esteemed Hammond who deems him the next Dylan. Young, handsome, and more importantly a brilliant songwriter, Ned is groomed to be the next superstar. Tragically, though, their collaboration never comes to full fruition as Hammond suffers a stroke while they are recording his debut album. Faced with record company politics following Hammond’s death, stardom never occurs and Blood Ties poignantly deals with Ned’s unfulfilled dreams, volatile relationships, and the importance of forgiveness.
A stellar cast, most of whom play multiple roles, support a Broadway quality score. Katie Thompson as Ned’s wife is a standout and in one show-stopping number had the audience in tears and roaring in appreciation. Massey himself is as strong a singer-songwriter as you will find anywhere, and as an actor has the chops to pull off the role without it ever coming off as self-pitying or indulgent.
I do, however, question the choice of having an angelic narrator based on the film Wings of Desire. The majority of the group I attended with had never seen the Wim Wenders movie, and thus some of the references to it just plain went over our heads. And the first act could use a wee bit of tightening. But with those minor qualms out of the way, this is a show that is deeply moving, musically magnificent, and ultimately quite memorable.
Ned Massey has invested nearly a decade in nurturing this project. There is no doubt in my mind that it is time well spent as it’s apparent that the stardom that Hammond predicted for him a quarter of a century ago is finally right around the corner.
Bravo to all involved with this beautiful and inspirational piece of work.

--Evan Ginzburg

Saturday, October 2, 2010

Chuck Brown Concert Review- BB Kings NYC 9/29

CONCERT REVIEW- CHUCK BROWN
BB KING’S SUPPER CLUB
NYC 9/29/10

It almost doesn’t pay to review a Chuck Brown show.
The guy’s always going to play his heart out for as long as the club lets him. The musicians are going to be topnotch. The audience is going to walk out happy. And you get your money’s worth regardless of the price.
In short, he’s one of the few “sure things” left in the music biz.
And whether it’s Run Joe, Bustin’ Loose, It Don’t Mean A Thing If It Ain’t Got That (Go-Go) Swing, Moody’s Mood For Love, or any of his classics, he’s going to leave you feeling like you’ve been to a party more so than a traditional concert. It really doesn’t matter if it’s jazz, rap, blues, or R&B that he’s doing at any given time- with the driving Go-Go beat it all sounds great.
As I looked out among the crowd, which ranged in age from folk in their twenties to their sixties (and maybe even seventies), I saw people of every possible race, creed and color having the time of their life. My student from China didn’t have a clue as to what he was singing due to the language barrier, yet she “loved it.” And then a very odd thought hit me. “Chuck Brown should head the United Nations.” Yeah, just crank out Go-Go all day and everyone WILL get along. He’d certainly do better than the ineffectual politicians.
Hey, nobody’s going to want to start a war, when the Go-Go’s on.
Openers Mambo Sauce out of D.C. were pretty much perfect for this crowd. Featuring up-tempo Go-Go numbers and fine showmanship, they warmed the crowd up just right.
With Chuck putting in two hours, it was a great evening; I still feel happy three days later from it. And what could be better than that?

-Evan Ginzburg
www.legendsradio.net

Wednesday, September 22, 2010

09/22/10 Al Guthertz, Mark James, April Hunter, Mia St. John, Ned Massey

09/22/10 Al Guthertz, Mark James, April Hunter, Mia St. John, Ned Massey

Wed. September 22 Edition of Evan Ginzburg’s Legends Radio co-hosted by Dr. Mike Lano at www.legendsradio.net (Archived 24/7) 7:30-9:30PM EST

Boxer/Model Mia St. John

Singer/Songwriter/Playwright/Actor Ned Massey “Blood Ties”

April Hunter

Al Guthertz, king of all pop culture media/author

Mark James, Memphis wrestling historian

http://www.legendsradio.net/092210.mp3

Wednesday, September 8, 2010

09/08/10 Heather McDonald,Joshua Jay,Wanda and Wayne Vaughn,Bobby Cruise,Apollo Heights,Jaheed Ashley

09/08/10 Heather McDonald,Joshua Jay,Wanda and Wayne Vaughn,Bobby Cruise,Apollo Heights,Jaheed Ashley

Wed. September 8 Edition of Evan Ginzburg’s Legends Radio co-hosted by Dr. Mike Lano at www.legendsradio.net (Archived 24/7) 7:30-9:30PM EST

Heather McDonald (From Chelsea Lately Show)

ROH announcer Bobby Cruise

Famed magican Joshua Jay (As seen on David Letterman)

Wanda Vaughn from The Emotions (Best of My Love)

Wayne Vaughn producer/writer for Earth, Wind and Fire

Music of Apollo Heights

Documentary film makerJaheed Ashley Fela NYC

http://www.legendsradio.net/090810.mp3

Sunday, September 5, 2010

09/01/10 Jenny McCarthy,Wendi Vaughn,Paul Wein,Bernie Gonzalez,William Ryan George

09/01/10 Jenny McCarthy,Wendi Vaughn,Paul Wein,Bernie Gonzalez,William Ryan George

Wed. September 1 Edition of Evan Ginzburg’s Legends Radio co-hosted by Dr. Mike Lano at www.legendsradio.net (Archived 24/7) 7:30-9:30PM EST

Jenny McCarthy (Superstar actress/model)

Paul Wein Host of Ring Fever Radio/TV

Vaughn Sisters take on Crones disease/Colitis

Music of legendary Malo, Flying Machines, & Curtis and the Dilettantes

http://smashedmedia.us/legends2/?powerpress_pinw=130-podcast

Sunday, August 29, 2010

CONCERT REVIEW- LEELA JAMES/ELI “PAPERBOY” REED

CONCERT REVIEW- LEELA JAMES/ELI “PAPERBOY” REED
J&R MUSIC SUMMERFEST – NYC 8/28/10

J&R Music’s annual Summerfest is a mixed bag. I’ve seen Teena Marie there doing a full show with live band rivaling any of her paid gigs. I’ve also seen Chaka Khan sing to malfunctioning tracks where I wanted to blow my brains out.
This was somewhere in between.
Ayanna Irish is an attractive, vivacious belter; the young singer won the crowd over in her far too short three song set, which begged the question, “What’s the rush?”
Eli “Paperboy” Reed is a baby-faced young white singer with a killer band and three piece horn section. Reed possesses a solid voice, exhibits strong showmanship, and does tons of catchy up-tempo originals. Thoroughly enjoyable, the set flew by. While he isn’t James Brown or Wilson Pickett, who is? Check him out when you get a chance.
Then came the headliner in Ms. Leela James, a tiny dynamo with a powerful voice and great stage presence. She proceeded to passionately (and repetitively) beat the following points to death:
Leela loves old school soul music.
She only had a short time to play.
And we should buy her CD.
Oh yes, we were reminded again and again that we should buy her CD.
I wouldn’t call this a concert. I wouldn’t even call her thirty-five minutes on stage a set. I guess it would qualify as an appearance. She sang a few songs. In between them, Leela preached the gospel of classic soul (“We have to get back to this.”). She played a recorded snippet from her new CD and sang over it. She also played a recorded snippet of Al Green doing Let’s Stay Together and the band just swayed along to it, looking ecstatic. Which was all good and fine, but when you brave the nightmarish weekend New York City subway system on three trains for an hour fifteen to get there, this wasn’t exactly what you had hoped for.
It was all actually kind of odd if you ask me. When you have a full band and backup singers on a stage ready to go, would an actual set have been too much to ask?
When it was all over, I had a dual reaction to her “show.” Part of me felt ripped off, which is strange considering it was free. And at the same time, I said to myself, “The woman’s a truly great singer and performer. I need to see her at a REAL live show.”
Interestingly enough the ten o’clock local TV news showed a clip from the gig where she waded through the crowd during her finale. There I was standing clear as day with a blank look on my face that read, “Too little, too late, Leela…”
Whatever. Another mixed bag at J&R.

Evan Ginzburg www.legendsradio.net




Monday, August 9, 2010

Portuguese Fado Singer Ramana Vieira in concert 8/8/10 NYC

Concert Review –
Ramana Vieira Ensemble
City Winery
NYC 8/8/10

Ramana Vieira may not be a household name but she is most definitely a star.
Walking onto the elegant and intimate City Winery stage, she is a commanding yet personable presence. Exuding class, she belted out Portuguese Fado tunes which she explained, is Portuguese blues. And she was smart enough to give a little background on most of the tunes as not everyone in the audience spoke the gorgeous language.  Whether they were traditional songs or originals penned by Ms. Vieira, we felt their power. These blues may not have come out of Chicago like the ones I’m accustomed to, but they certainly struck a chord anyway.
It seems many of the songs are about lovers separated, sometimes because the Portuguese sailors had to go out to sea. Although they longed for their men to return, the ladies had faith in the power of their love. Hey, there were no phone calls, faxes, texts or e-mails for sixteenth century separated lovers. So those were some serious blues for sure.
Ms. Vieira clearly felt every one of her numbers and delivered them in a dramatic, and at times almost theatrical style, utilizing shawls and traditional hats and such to tell- and sell- the stories she sang so passionately. Simply put, she held the audience in the palm of her hands, having them repeatedly sing and even hum along.
Backed by a virtuoso ensemble, the instrumentals were as lovely as the vocals and they more than complemented each other.
 It was a classy night in a beautiful venue, perfect for my initiation into a form of World Music we don’t hear enough of in these parts. And California based Ramana Vieira making her New York debut was just the vivacious ambassador to do the job.

Evan Ginzburg
www.legendsradio.net





Sunday, August 8, 2010

Sharon Jones & Dap-Kings Concert Review Brooklyn 8/7/10

CONCERT REVIEW-
SHARON JONES AND THE DAP-KINGS/LEE FIELDS/BUDOS BAND
CELEBRATE BROOKLYN FESTIVAL PROSPECT PARK
8/7/10

When an audience of 20,000 strong stand clapping for several moments straight and a performer stops the show to cry tears of joy, you know you’re witnessing something special.
Such was the case at the magnificent Sharon Jones concert on her home turf of Brooklyn. I sincerely think that with this kind of love, the woman could run for Mayor of New York and pull it off.
The R&B queen was supported by 18 elegantly dressed instrumentalists and back-up singers including the Bushwick Philharmonic, a classy string quartet. She came out on 45 minutes of sleep, having flown in from a gig in Georgia where she’d opened for Cyndy Lauper. Descending a staircase for a dramatic entrance, the tiny bundle of dynamite exploded upon hitting the stage.
And she barely paused for a good two hours or so.
Whether they were ballads, up-tempo numbers, or joyful dance routines, she performed like her life depended on it. I don’t think the word great would even do her justice.
A duets segment with vocalist Lee Fields showcased two masters at their best. Considering duets are almost a lost art, this was a highlight of the evening.
What more can I say? Sharon Jones is that rarest of treasures- someone who will give you every last drop of blood on stage, and probably would have gone even longer had the promoters not called for the curfew. And speaking of promoters, they should study an event like this. While overpriced tours like Maxwell’s at $40-$250 a ticket had dates cancelled, this $3 event drew 20,000 people. Throw in the tons of merchandise, food and alcohol purchased and the woman drew money. Big money. Maybe giving people an inexpensive and great night out is a simple solution in the midst of a recession, rather than going for the jugular with obscenely priced shows that most folk can’t afford.
Openers the Budos Band are sizzling instrumentalists. These guys probably weren’t born when soundtracks for Fred Williamson and Jim Brown flicks were coming out, yet their fine music would have fit right in on many of them. Unfortunately, though, they have zero stage presence. They barely spoke except to repeatedly plug their new CD. Thus, in a crowd this big, these fine musicians ultimately became a nameless, faceless, mob.  Another issue, frankly, was that after a while some of the music sounded too similar. Sorry, fellows- we know your hearts are in the right place, but you over-extended your welcome by a good twenty minutes.
Nonetheless, this was a memorable night and there’s probably no more beloved performer today than Brooklyn’s own Ms. Sharon Jones.


 www.legendsradio.net



Friday, August 6, 2010

Concert Reviews- Mykal Rose of Black Uhuru & Tiempo Libre

Concert Review-
Tiempo Libre
River to River Festival Rockefeller Park NYC
August 5, 2010

This one was special.
Tiempo Libre, the three-time Grammy-nominated Timba giants, came out smokin’ and didn’t stop for a good hour forty-five or so. With tons of percussion, a charismatic ever-moving lead singer, and a flawless horn section, it didn’t much matter that most of the music and audience interaction wasn’t in English. The searing rhythms had virtually all of the joyful fans on their feet, many of whom were dancing and even forming a huge Conga line.
Several guest Cuban percussion masters only added fuel to a beautiful fire and this became one of the best shows thus far this summer.
I have a simple way of judging a concert. When you get those chills down your spine when a band is really “on,” you know you’re sitting at the foot of the greatness. And such was the case throughout the memorable evening.
New York remains a smorgasbord of brilliant free concerts, including World Music events. And such is fitting for the Big Apple, the melting pot of the world.

www.legendsradio.net

Concert Review-
Tiempo Libre
River to River Festival Rockefeller Park NYC
August 5, 2010

This one was special.
Tiempo Libre, the three-time Grammy-nominated Timba giants, came out smokin’ and didn’t stop for a good hour forty-five or so. With tons of percussion, a charismatic ever-moving lead singer, and a flawless horn section, it didn’t much matter that most of the music and audience interaction wasn’t in English. The searing rhythms had virtually all of the joyful fans on their feet, many of whom were dancing and even forming a huge Conga line.
Several guest Cuban percussion masters only added fuel to a beautiful fire and this became one of the best shows thus far this summer.
I have a simple way of judging a concert. When you get those chills down your spine when a band is really “on,” you know you’re sitting at the foot of the greatness. And such was the case throughout the memorable evening.
New York remains a smorgasbord of brilliant free concerts, including World Music events. And such is fitting for the Big Apple, the melting pot of the world.

Sunday, August 1, 2010

Concert Reviews- Vieux Farka Toure, Alexis P. Suter, The Swell Season, Motor City Soul Revue w Dennis Coffey, Spyder Turner, Velvelettes, more

Concert Review-

Vieux Farka Toure

BAM R&B Fest at Metro Tech Brooklyn

July 29, 2010

It’s not every day an artist gets to perform in front of a billion people.

Well, Malian born singer-guitarist Vieux Farka Toure did just that recently when he performed on TV during the World Cup.

Can’t say there were even a thousand folk at this free outdoor fest, but what I can attest to is that each and every one of the several hundred there were wowed by this virtuoso. Strumming his guitar effortlessly, one couldn’t believe the Hendrix like sounds that were emanating from it. Starting slowly and building with each number, the ninety minute show just crept up on you until the furious climax.

“He knocked me out,” my musically jaded buddy stated.

Throughout the memorable performance, African women in brightly colored garb showered the stage and even the masterful quintet’s foreheads with dollar bills. All the while, folk of every race, creed, color and age enjoyed the concert. It proves that music is, in fact, a universal language. My crew didn’t understand a word they were singing and it didn’t much matter.

Marring the event, however, was an unpleasant confrontation. Two old ladies right in front of the stage did a tug of war over a chair, while a third jumped in to help her tag team partner. When one of the seniors almost fell during the melee, I thought to myself, “Here’s comes that broken hip.” An afternoon of peace and love was turning into WWE Smackdown. And the fact that the combatants, eyes ablaze, were of different races made it that much uglier. Luckily, security quickly jumped in and calmed the hostile trio down. It just proves that stupid isn’t a trait relegated to our youth.

I’d also like to point out for all the musicians reading this, that Toure clocked on the merchandise post-show. At $15 a pop, I saw box after box of CDs moving. Anyone who doesn’t sell CDs and T-Shirts at their gigs isn’t maximizing the potential for said shows. As someone who has done radio for twenty years I’ve seen way too many artists without a hint of business sense, which is too bad, because providing souvenirs and giving a fan an autograph and handshake also builds that bond between you and your audience.

Anyway, Toure, the son of legendary Ali Farka Toure, hasn’t hit thirty yet and he’s already attained greatness. One can easily picture him as a leading ambassador of world music in the decades to come.

--Evan Ginzburg

http://ginzburgsgab.blogspot.com/

Concert Review- Alexis P. Suter

Wagner Park NYC

July 29, 2010

Alexis P. Suter is a big woman with a big voice.

And luminaries such as BB King and Levon Helm have been singing her praises.

So when I had the chance to finally see her in a beautiful outdoor setting overlooking the water on a gorgeous night, I grabbed it.
And I was glad I did.
Reminiscent of such fellow underrated greats as Phoebe Snow and Toshi Reagan, this woman can sing literally anything. Billing herself as a rising star on the roots, blues, and soul scene, it didn’t much matter what style of music she sang, as all showcased a booming, world class voice. A highlight was Knocking on Heaven’s Door which she made her own. Her originals were also catchy, particularly one on the horrendous NYC subways. Ironically my buddy I was with is a subway conductor, and he laughed while exclaiming, “I have to get her CD for that one!”

Suter encouraged babies and small children to dance in front of the stage, which only added to the charm of a wonderful show.
Walking off in a huge top hat after ninety or so minutes, she reminded me very much of Gene Chandler. I’m not quite sure what the fashion accessory was supposed to mean, but it was a nice touch nonetheless.

Based out of Brooklyn, I’m glad she’s not limiting herself as a blues act since the NY blues scene here is a shell of what it was. And this warm, intelligent, witty and powerful singer deserves every opportunity for not only the Big Apple to hear her, but the world as well.

--Evan Ginzburg

www.legendsradio.net

Concert Review- The Swell Season

Celebrate Brooklyn Festival- Prospect Park Brooklyn, NY

July 30, 2010

The 2006 movie Once was an inspiration to struggling artists everywhere. Shot on a miniscule budget of $160,000, this heartfelt, naturalistic, modern day “musical” starred singer songwriters Glen Hansard and Marketa Irglova. Their authenticity helped turn this into what may very well have been the best non-documentary ever on the subject of musicians. Not only did it go on to international acclaim, but garnered their band, The Swell Season, a Best Song win at that year’s Academy Awards where they poignantly told a billion strong audience, “Create art.”

There’s a whole lot of people who heard their message loud and clear. I personally know this, because the first Friday of each month when I book my free variety shows at Gizzis Cafe in New York’s legendary Greenwich Village, it is only a matter of time before one of my singers, musicians, poets or writers bring up this film. And as the Associate Producer on The Wrestler with Mickey Rourke and Co-Producer on upcoming documentary projects, I also am inspired that great films can be made on a shoestring.

So, of course, I was among a massive crowd of nearly ten thousand lucky enough to get in to see The Swell Season at Prospect Park’s Celebrate Brooklyn.

Hansard, from Ireland, came out alone and played the guitar so passionately, that you waited for it to spontaneously combust. He sings from the depths of his soul, the poignant lyrics not only making you clap along but touching you simultaneously. Irglova doesn’t have the same power vocally, nor as much charisma, but she sings with such sincerity and earthiness that they compliment each other beautifully and perfectly. They may not remind you of Marvin Gaye and Tammi Terell as it’s a folk-rock style, but they sure have a lot of blue eyed soul going on nonetheless. And Hansard even did a little improv one number, throwing in a line from Gaye’s Sexual Healing.

In song after song, you marveled at the poetic beauty of their lyrics. Lost love and letting go were running themes and something every one of us could relate to oh so well. I saw couples embrace and even wipe away a tear or two as the stunning evening progressed. Adding a three piece horn section especially for this show, there were numbers that were just scorching in their intensity, building to a climax.

In short, it’s intelligent, sensitive, music for adults. How refreshing in this day and age.

Openers The Low Anthem didn’t fare quite as well. A quirky mix of folk, country, blues, and whatever else thrown in, they exhibited what could only be described as anti-charisma. And the drummer was off on his own like he was auditioning for the following night’s Sonic Youth concert. Probably on disc they’d have more to offer, but as a live concert experience I can only suggest they interact with the audience in some capacity. Or at the very least show some sign of movement. Frankly, it felt like a long thirty minutes. With The Swell Season’s generous near two hour show, however, they more than made up for them.

In my life I’ve attended too many great concerts to count, but it’s not every gig where you are also moved and inspired. It was just one of those magical nights that made you thankful that you were at what could have been the very best show on planet Earth.

Evan Ginzburg http://ginzburgsgab.blogspot.com/

CONCERT REVIEW
MOTOR CITY SOUL REVUE- DENNIS COFFEY, MELVIN DAVIS, SPYDER TURNER, THE VELVELETTES, THE PARTY STOMPERS and EDDIE KIRKLAND

LINCOLN CENTER OUT OF DOORS FESTIVAL NYC 7/31/10

Take Motown glamour, charisma and showmanship, place it in a gorgeous outdoor venue and world class festival, and what you end up with is a love fest. Performers who hadn’t graced a New York City stage literally in decades were greeted as returning heroes and it was a beautiful thing to witness.

Opening the memorable show was Eddie Kirkland, who had toured with Otis Redding, retired to become an auto mechanic, and returned as a blues ambassador in the 1970s. The guitar great can literally perform any style of blues and schooled the appreciative audience on just about all of them. He was joined mid-set by The Party Stompers, a great band who ably backed all of the acts on the bill. At age 87 Kirkland hasn’t lost a note and even danced during the show’s finale. Performing will keep a fellow youthful and alive, and such is the case with this road warrior.

Kirkland was followed by a tremendous showman in 63 year old Spyder Turner who had charm and charisma to spare and even told a lengthy joke during a few minutes of technical difficulty. His performance of his 1966 hit Stand By Me, ended up in his regaling the audience with dead on imitations of Sam Cooke, Otis Redding, Al Green, Billy Stewart, Chuck Jackson, James Brown and a ton more. When you see a wonderful old school performer with this much to offer, you just wonder why there isn’t a bigger spot in the music business for talent of this level.

Looking sharp and youthful at 67 years old, the 6’6” songwriter Melvin Davis proudly spoke of writing six hundred plus songs, including the powerful and long lost Find a Quiet Place (and Be Lonely). You could see he loved being up there for every second of his twenty or so minute set. Davis, like many in the industry, never got the name recognition or financial compensation he deserved, in spite of his songwriting skills, and drumming with talent as diverse as Smokey Robinson and Wayne Kramer of the MC5. He spent the last quarter century or so working in the Detroit Post Office before finally retiring. Let’s hope his resurrection leads to more shows and performances like this one, as he is thoroughly enjoyable and his exuberance leaps off the stage.

Guitar god Dennis Coffey was up next and to say he was smoking with lightning fast riffs would be an understatement. I literally shook my head in disbelief during his classic Scorpio which is as good as it gets. Regrettably, he only did two numbers but even that was enough to satisfy.

The headliners were the Velvelettes, who spoke of how once The Supremes had their first hit they didn’t get the push at Motown they so clearly deserved. Still looking good, they announced that all four members were grandmothers “and ex-wives,” garnering a well-deserved laugh. With gorgeous gowns, nice choreography, and the classic Motown girl group sound on classics like Needle in a Haystack, they were just a joy to watch- a throwback to a long, lost era.

Following the show they all did a Q&A, a local radio station (WFMU) interviewed the participants and broadcast live, and each and every performer was besieged by fans for autographs and pictures. Their merchandise was flying off the tables as well. Clearly, the music industry may have overlooked these greats, but there’s still those who remember, love, and respect talent of this caliber. I’d also like to say that with so much deserved criticism of a youth oriented music business, small labels who seek out these performers and bring them back to the stage deserve our respect and support. The financial rewards may be minimal with such reissues, but they are helping to preserve a rich history and that’s what it’s all about.

Kudos to all involved in this classy event.

Evan Ginzburg www.legendsradio.net